Studio & Live

NUX DM-210 Electronic Drum Kit Review & Unboxing

A guitarist tries to build and play the NUX DM-210 electronic drum kit. Here are…

Why I Bought a Fender Road Worn Strat at Thomann

I went to Thomann thinking I might buy a practical rock or metal guitar. Instead,…

Boss Metal Zone vs Revv G3: Surprisingly Similar?

The Boss Metal Zone and Revv G3 are very different pedals, but with careful EQ…

Harley Benton Acoustic Preamp Review – A Useful Acoustic DI Box for 79€?

The Harley Benton Acoustic Preamp packs DI output, EQ, reverb, chorus and headphone monitoring into…

Harley Benton Dullahan-FT 24 Roasted: First Impressions of a Discontinued Headless Guitar

The Harley Benton Dullahan-FT 24 Roasted is no longer in production, but if you find…

How to Use Master Reverb to Make Your Mixes Sound Bigger and More Cohesive

Master reverb is one of the simplest ways to make your mixes sound bigger, more…

Adam Hall Flipjack Cable Review – Simple and Useful

The Adam Hall Flipjack Cable is a simple instrument cable with one clever feature: a…

How I Mixed the Veden Alla Cover – Simple Mixing Tricks

A breakdown of how I mixed a cover of Veden Alla, using simple arrangement choices,…

NUX Atlantic Review – A Proper Ambient Workhorse in a Small Box

The NUX Atlantic combines delay and reverb in one compact pedal, but the real magic…

The Case for Doing Less in Your Mix

Doing less in your mix can often make the song feel more natural. Here’s how…